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Luxe Star Outlook

Area 51 movie review & film summary (2015)

Author

John Parsons

Updated on March 09, 2026

Of course, like “Paranormal Activity,” most of “Area 51” looks like DIY, found-footage material, although the film so quickly fails the Why Would They Film That test that it’s best to just consider it a cinematographic choice (like Dogme 95) instead of trying to figure out who’s holding the camera and why. To that end, the shaky-cam, found-footage thing likely wasn’t as played out when Peli started filming “Area 51” in 2009, and the aesthetic here isn’t quite as annoying as it sometimes can be in “Paranormal Activity” wannabes. You won’t need Dramamine.

Three dude-bros go to a party; one dude-bro goes missing. He pops up, horror movie-style, in front of the car of his leaving buddies, not quite looking the same. Three months later, the man-children plan a trip to Vegas, where they will meet someone who will help them infiltrate the legendary Area 51, the Nevada government complex rumored for decades to house proof of alien life. Of course, they need a stop-off at the Hooters Casino first. Before you know it, they’re using night vision cameras and breaking into places they shouldn’t be.

Well, not exactly before you know it. “Area 51” is essentially what we call a Slow Burn horror film, in that most of the bulk of the running time consists of preparation. They talk about the titular location way more than anything else. And there’s a disturbing amount of prep to do—scenes of the boys getting their materials together, scouting the location, dealing with security and eventual knocks on their door in the middle of the night. There’s no tension or action for the longest time and "Area 51" might have been better served as a short film or episode of an anthology series in that the entire first-hour of set-up could have been cut to five minutes. In one mildly entertaining interlude, the film echoes “Willow Creek” a bit when the boys start talking to locals about the alien legend (a la the way Bobcat Goldthwait plays with mythology in the first two acts of his bigfoot film), but Peli isn’t as skilled a filmmaker and the characters here are so paper-thin that I just watched the movie and I’m not sure I could pick them out of a line-up.