Defiance movie review & film summary (2009)

The story of "Defiance" has all the makings of a deep emotional experience, but I found myself oddly detached. Perhaps that's because most of the action and principal characters are within the group. The Nazis are seen in large part as an ominous threat out there somewhere in the forest, like "Those We Don't Speak Of" in M. Night Shyamalan's "The Village." Do I require a major Nazi speaking part for the film to work? No, but the drama tends to focus on issues, conflicts and romances within the group, and in that sense could be a very good reality show but lacks the larger dimension of, say, "Schindler's List."

What the film comes down to is a forest survival story, with a few scenes of Nazis trying to find and to destroy them and a few battle scenes that furnish the trailer and promise more of an action film. The survival story may contain omens for our own time. In the most fearsome of future scenarios, we may all have to survive in the wilderness, and we should be so lucky to have the Bielski brothers to help us. They were farmers, strong, fierce, skilled in survival skills, pragmatic.

The brothers are Tuvia Bielski (Daniel Craig), Zus Bielski (Liev Schreiber) and Asael (Jamie Bell). After they flee from genocide into the forest, others come hoping to join them, and word of their encampment spreads through the refugee underground. Tuvia decides early on that they must take in all Jews, even the helpless ones who cannot contribute; Zus, a firebrand, is less interested in saving Jews than killing Nazis, which he reasons will save more Jews. This conflict -- between helping our side or harming theirs -- is seen even today in the controversy over the invasion of Gaza, with Israel playing the role of the Bielski settlement.

The refugees sort out into leadership and support roles, feed their growing group largely by stealing food, establish such institutions as a hospital, a court, even a tannery. Romance blossoms, which is common in life but indispensable in a movie, and there are tender scenes which are awfully warmly lit and softly scored, under the circumstances. Craig and Schreiber bring conviction to their roles, differing so sharply that they even come to blows before the younger brother leaves to join the Russians (who hate Jews every bit as much as the Nazis do).