Late For Dinner movie review & film summary (1991)

The friendship between the two men is made more colorful because Frank, in the inimitable language of the movie's press release, has “been left wonderfully skewed by an accidental lack of oxygen at birth.” That explains how Frank might fall into the clutches of an evil cryogenicist who wants to freeze them alive, but what's Willie's excuse? The villain (named Dr. Chilblains and played by Bo Brundin) does indeed freeze them, and they slumber for 29 years before being thawed out.

The general tone of “Late for Dinner” is romantic/realistic, and the bizarre cryogenic plot device rests uneasily in the midst of more plausible material. The only reason for its existence - the best reason, indeed, for the entire first hour of this movie - is that writer Mark Andrus and director W.D. Richter are fascinated by the possibility that Willie and his wife could be reunited after his long, deep sleep.

Willie and Frank are thawed out, in a scene that feels contrived, as if even the filmmakers didn't believe it, and then they travel back to Santa Fe where Willie, who has only aged a day, will seek out his wife and daughter, who are 29 years older. The possibilities are limitless, and the movie at last takes life, in a series of moments that have a genuine emotional strength.

The problem is, after the sequences involving reunion and a new beginning, the movie ends. After spinning its wheels for an hour with unnecessary exposition, “Late for Dinner” never really develops the emotional material we've been waiting for. Maybe the filmmakers fell in love with their material, and couldn't tell the buildup from the punch line. I left thinking I had seen a great many things I didn't care about (all of the business involving the evil developer, for example), and hardly anything about the intriguing question of whether a middle-aged woman could still fall in love with (literally) the man she married three decades ago. Now there's an idea for a movie.