Rebel Without a Cause movie review (1955)
David Ramirez
Updated on March 09, 2026
Like Hamlet's disgust at his mother's betrayal of his father, Jim's feelings mask a deeper malaise, a feeling that life is a pointless choice between being and not being. In France at the time, that was called existentialism, but in Jim's Los Angeles, rebels were not so articulate. The first time Jim talks with Judy (Natalie Wood), the girl next door, she's ready for him. "You live here, don't you?" he says. "Who lives?" she says.
And consider the scene where Jim and his new enemy Buzz (Corey Allen) talk before the deadly game of "chicken" that will end with Buzz dead. Jim is the new kid in the high school, Buzz slashes his tire with a switchblade and challenges him to a "chickie run." The two kids will drive stolen cars toward a cliff, and the first one to bail out is the chicken.
Curiously, right before the race, Buzz tells Jim: "You know something? I like you."
"Why do we do this?" Jim asks.
"You got to do something?" says Buzz.
The philosophical stage for their duel was set earlier in the afternoon, during a class trip to the Griffith Park Observatory. The subject is "The End of Man," and the lecturer happily describes the sun growing larger until it explodes and wipes out all traces of mankind. "The Earth will not be missed," the lecturer informs the students. "Through the infinite reaches of space, the problems of man seem trivial and naive indeed, and man existing alone seems himself an episode of little consequence." This is not the note of optimism they require.
The observatory speech inspires a bitter aside from the movie's other major character, the small, angry and persecuted Plato (Sal Mineo): "What does he know about man alone?" It is clear now but may have been less visible in 1955 that Plato is gay and has a crush on Jim; at the planetarium, he touches his shoulder caressingly. After Buzz dies when his car hurtles over the cliff, the students all seem curiously -- well, composed. Jim gives Plato a lift home and Plato asks him, "Hey, you want to come home with me? I mean, there's nobody home at my house, and heck, I'm not tired. Are you?" But Jim glances in the direction of Judy's house, and then so does Plato, ruefully.