Remember The Titans movie review (2000)
David Ramirez
Updated on March 09, 2026
All of this is said to be based on life, and no doubt largely is, but life was perhaps harder and more wounding than the film. "Remember the Titans" is not an activist 1970s picture, but more conciliatory in tone. It is more about football than race relations, and it wants us to leave the theater feeling not angry or motivated, but good.
We do. There are true and touching moments in the film, on top of its undeniable entertainment value. I was moved by a scene near the end where an injured white player, who once said he would not play with blacks, now only wants his black "brother" in the hospital room. And there is a delicate series of scenes in which the same white player breaks up with his girlfriend rather than break the bonds he has formed with teammates during an August training camp.
Those training camp scenes include the usual identifiable types (the fat kid, the long-haired Californian, the "Rev") who first clash, then bond. It's been seen before, but the director, Boaz Yakin ("Fresh"), brings old situations to new life and carries us along in the current of a skilled popular entertainment. I like the way he shows Boone forcing the blacks and whites to get to know one another.
I admired the way the screenplay, by Gregory Allen Howard, doesn't make Boone noble and Yoast a racist, but shows them both as ambitious and skilled professionals. There are times when Boone treats his players more like Marines than high school kids, and Yoast tells him so. And times when Yoast tries to comfort black players who Boone has chewed out, and Boone accuses him of coddling blacks as he would never coddle his fellow whites.
These scenes are tricky, and Washington and Patton find just the right notes to negotiate them. Washington is gifted at delivering big speeches without sounding portentous or seeming to strain. There's an early morning training run that leads the players to the Gettysburg battlefield, and his remarks there place their experiences in a larger context.
Still, the story sweeps certain obvious questions under the rug: (1) We see that the whites don't want to play with the blacks, and are afraid of losing their starting positions. But what about the blacks? Weren't they in a black high school last year? Aren't they losing their team, too? Aren't some of them going to be replaced by white starters? The movie shows the whites as resentful and possessive but assumes the black players are grateful for the chance to leave their old school and integrate the other team. Maybe they are, and maybe they aren't. The movie doesn't say.