Stronger movie review & film summary (2017)

Screenwriter John Pollono’s adaptation of Bauman’s memoir spends very little time on set-up, but Green and his cast make the most of it. We meet Jeff (Jake Gyllenhaal), getting out of a sticky situation at his job at Costco so he can be in his lucky chair to watch the Red Sox game. They lost the last two because he wasn’t there. At the bar, we meet his beer-swilling family, played with sometimes-too-broad Boston accents and personalities by Miranda Richardson as Jeff’s mom and Clancy Brown as his dad, along with famous Boston comic Lenny Clarke as another relative, and others who sometimes feel straight out of Boston central casting—love the Sox, drink before noon, yell over each other, etc. Jeff’s friends and family sometimes feel a bit too broadly sketched, but they’re captured lovingly.

We also meet Erin (Tatiana Maslany), Jeff’s on-again-off-again girlfriend, who just happens to be running in the Boston Marathon the next day. In what feels like an effort to try and win her back a bit, Jeff makes a sign to greet her at the finish line. He’s at ground zero when the bombing happens, and he loses both of his legs below the knee. He becomes an even bigger story when he reports that he saw one of the bombers. Not only is he a survivor, but he’s going to help take down the enemy. Jeff becomes an image for a nation in need of a hero. But Jeff, with Erin by his side, has to learn how to survive as more than just a symbol.

Green and Pollono are at their best here when they’re focusing on the details of Jeff’s situation in ways that gauzy melodramas usually overlook. There’s a striking scene in which Jeff’s dressings are taken off for the first time, out of focus in the background, as we stay on Jeff’s face in the fore. He can’t look, and so we don’t see them clearly either. He’d rather look into Erin’s eyes. He’s scared and in pain, and she’s the only lifeline. Other scenes of tactile process—like making casts for his legs or how hard it is to get in the tub—add gravity and realism to what could have been a more manipulative experience.