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Thieves Like Us movie review & film summary (1974)

Author

Mia Cox

Updated on March 09, 2026

The outline suggests “Bonnie and Clyde,” but “Thieves Like Us” resembles it only in the most general terms of period and setting. The characters are totally different; “Bonnie and Clyde” were anti-heroes, but this gang of Altman’s has no heroism at all. Just a kindof plodding simplicity, punctuated by some of them with violence, and by the boy with a kind of wondering love. They play out their sad little destinies against two backdrops: One is the pastoral feeling of the Southern countryside, and the other is an exactly observed series of interior scenes that recapture just what it was like to drowse through a slow, hot summer Sunday afternoon, with the radio in the background and the kids playing at pretending to do Daddy’s job. If Daddy is a bank robber, so what?

The radio is constantly on in the background of “Thieves Like Us,” but it’s not used as a source of music as it was in “American Graffiti” or “Mean Streets.” The old shows we hear are not supposed to be heard by Altman’s characters; they’re like theme music, to be repeated in the film when the same situations occur. “Gangbusters” plays when they rob a bank, for example, even though the bank would have been closed before “Gangbusters” came on. That’s OK, because the radio isn’t supposed to be realistic; it’s Altman’s wry, elegiac comment on the distance between radio fantasy and this dusty, slow-witted reality.

At the heart of the movie is a lovely relationship between the young couple, played by Keith Carradine and Shelley Duvall. They’ve both been in Altman movies before (just about everybody in view here is in his stock company), and it’s easy to see why he likes them so. They don’t look like movie stars. They share a kind of rangy grace, an ability to project shyness and uncertainty. There’s a scene in bed that captures this; it’s a two-shot with Keith in the foreground and Shelley, on her back, eyes to the ceiling, slowly exhaling little plumes of smoke. Nothing is said. The radio plays. Somehow we know just how this quiet, warm moment feels.