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Luxe Star Outlook

Training Day movie review & film summary (2001)

Author

Penelope Carter

Updated on March 08, 2026

Dispensing street justice is what it's all about, Alonzo believes; the enemy lives outside the law, and you have to pursue him there. Jake hallucinates for a while because of the PCP, but surfaces to accompany Alonzo on a visit to an old and slimy colleague (Scott Glenn), on a raid on a drug dealer's house, on a visit to what seems to be Alonzo's secret second family, and to a restaurant rendezvous with what appears to be a circle of top cops who mastermind graft and payoffs. Along the way there's a sensational gun battle, although it doesn't draw enough attention to interrupt Alonzo's routine. I'm not saying all of these events in one day are impossible; in the real world, however, by the end of it both cops would be exhausted, and shaking for a druggist for Ben-Gay.

Is Alonzo for real? Are the city and its cops really this evil? (I am asking about the movie, not life.) At first we wonder if Alonzo isn't putting on a show to test the rookie. The rookie thinks that, too--that if he yields to temptation, he'll be busted. That theory comes to an end when Jake is ordered to kill someone, or be framed for the murder, anyway. And Alonzo isn't the exception to the rule: We can tell by the lunchtime summit that he's part of the ruling circle.

For Denzel Washington, "Training Day" is a rare villainous role; he doesn't look, sound or move like his usual likable characters, and certainly there's no trace of the football coach from "Remember The Titans." The movie, directed by Antoine Fuqua ("Bait") and written by David Ayer ("The Fast and the Furious") keeps pushing him, and by the end, it has pushed him right into pure fantasy. Antoine in the earlier scenes seems extreme but perhaps believable; by the end, he's like a monster from a horror film, unkillable and implacable.

A lot of people are going to be leaving the theater as I did, wondering about the logic and plausibility of the last 15 minutes. There are times when you're distracted from the action on the screen by the need to trace back through the plot and try to piece together how events could possibly have turned out this way. But Ayer's screenplay is ingenious in the way it plants clues and pays them off in unexpected ways, so that "Training Day" makes as much sense as movies like this usually can. It might have been better if it had stayed closer to life, but it doesn't want to be.