Volition movie review & film summary (2020)

There are a bunch of other plot twists for James to wrap his head around, despite his prevailing certainty that the future already is what it is. But the only theoretically complicating factors in James’ story—how can he see the future, let alone use that to save himself—are too easy to anticipate. “Volition” isn’t clever enough to get over this somewhat prominent obstacle, mostly because its creators go all-in on with their convoluted, but never complex story.

James’ quantum-physics-related problems begin after his surly landlord informs James that he’s four days late on rent. He now owes $500 by the end of the day. Doesn’t sound too bad, you might say. And you’d be right: James soon makes the money he needs using his ESP-like abilities. He can’t plan or control how long he sees the future, but he can usually make out the shape of things to come long enough to take some notes and make a little money. Still, James’ supernatural powers have understandably left him feeling drunk and jaded, a degrading condition caused by alcohol and a tragic childhood incident that turned James into a sad orphan, and then later a bitter adult.

Enter Angela, the sort of vaguely defined ingenue who’s new in town and enjoys drinking beer with James on his rooftop. Apanowicz delivers a fine enough performance, but Angela is more plot device than co-lead, let alone supporting character. When James says that “Our choices don't matter. Life happens beyond our control,” Angela’s there with a dutiful, but unconvincing response: “That's a shitty way of seeing the world.” James wants to buy what Angela’s selling, but he’s a little preoccupied with a diamond fencing scheme that’s (barely) planned by Ray (John Cassini), a tetchy hardware store owner, and Ray’s heavies, Sal (Frank Cassini) and Terry (Aleks Paunovic).

Here’s where matters become negligibly complicated. To solve Ray and therefore James’ money problems, James has to start talking to his nagging, eccentric scientist friend Elliot (Bill Marchant). Elliot warns James that he needs to try harder, in general, which explains why James has avoided him until the events depicted in “Volition.” But once James and Elliot do finally get together, some kind of plot begins, with James having to figure out a way to travel back in time, and save himself. There aren’t many surprises here, because the bread crumbs that lead to the movie’s big finish are plentiful and very stale. Seriously, the plot twists in this movie are so obvious and unappetizing that you couldn’t miss them if you tried.