Win Ben Stein's mind | Roger Ebert

Scientists deserving of the name would share the delight of 99.975 percent of his or her colleagues after learning of the Oregon-North Carolina findings. Then, if they found a plausible reason to doubt them, they would go right to work hoping to win fame by disproving them. A theory, like a molecule, a sea slug and a polar bear, has to fight it out in the survival of the fittest.

"Expelled" is not a bad film from the technical point of view. It is well photographed and edited, sometimes amusing, has well-chosen talking heads, gives an airing to evolutionists however truncated and interrupted with belittling images, and incorporates entertainingly unfair historical footage, as when it compares academia's rejection of Creationism to the erection of the Berlin Wall.

Hilariously, the film argues that evolutionists cannot tolerate dissent. If you were to stand up at a "Catholic and mainstream Protestant" debate and express your support of Creationism, you would in most cases be politely listened to. There are few places as liberal as Boulder, Colo., where I twice debated a Creationist at the Conference on World Affairs, and yet his views were heard politely there. If you were to stand up at an evangelical meeting to defend evolution, I doubt if you would be made to feel as welcome, or that your dissent would be quite as cheerfully tolerated.

Ben Stein and the author of "On the Origin of Species"

In the film, Ben Stein asks predictable questions, and exploits an unending capacity for counterfeit astonishment. Example:

Scientist: "But Darwin did not title his book On the Origin of Life. He titled it, On the Origin of Species."

Ben Stein (nods, grateful to learn this): "I see!"

The more you know about evolution, or simple logic, the more you are likely to be appalled by the film. No one with an ability for critical thinking could watch more than three minutes without becoming aware of its tactics. It isn't even subtle. Take its treatment of Dawkins, who throughout his interviews with Stein is honest, plain-spoken, and courteous. As Stein goes to interview him for the last time, we see a makeup artist carefully patting on rouge and dusting Dawkins' face. After he is prepared and composed, after the shine has been taken off his nose, here comes plain, down-to-earth, workaday Ben Stein. So we get the vain Dawkins with his effete makeup, talking to the ordinary Joe.